PACK003.

£149.99

Pack includes :

  • Six NEW LUTs built from projects I’ve graded - each one designed with a distinct tone and use case (Optimized for Sony S Log3, easily adaptable to other cameras using a simple color space transform)

  • Film emulation powergrade - full node setup to build a film look from scratch inside DaVinci Resolve.

  • Real 16mm film assets, scanned from multiple different film stocks I shot.

These aren’t generic textures - they’re authentic film scans, featuring sprocket holes, light leaks, flashes, burns, grain overlays and cut transitions. A serious layer of texture to bring your edits to life.

  • My most used sound effects - professionally mixed and sound treated for the maximum most impactful effect.

  • Raw ungraded sample footage - taken from multiple different projects I have shot. Use it to test the LUTs, film overlays, grain and more.

  • My film grain settings - put my real 16mm film scans side by side and created a preset that replicates real 16mm film grain one to one. (for davinci users)

  • The DIN Playbook - real tips on workflow, lighting, color, shooting and approach.

  • The DIN Gearlist - short breakdown of the gear i use, from the monitor on my desk to the lenses i use on sets.

  • Bonus - buyers' favorite LUTs and film assets from PACK001 and PACK002 - included as an extra layer for those who missed the first and second drops.

Compatible with:

DaVinci Resolve, Premiere Pro, Final Cut Pro and any other editing softwares that support .cube files

LUT Instructions:

Davinci Resolve users – instruction video + powergrade attached in the folder.

Premiere Pro users – adjust exposure, contrast and white balance on the color page to liking.

These LUTs are built for results, not shortcuts.
Minor exposure and white balance adjustments may be needed to get the best result.
Made for those who actually care about the final look.

Film assets – drop directly to timeline, apply the same grade as the rest of the clips on the timeline, feel free to experiment with blending modes accordingly.

Buyers are invited into the closed DIN community - a private space to connect, share, and stay ahead (make sure to include your instagram @ in the required form).

For any questions – @dinperlis on instagram.

Pack includes :

  • Six NEW LUTs built from projects I’ve graded - each one designed with a distinct tone and use case (Optimized for Sony S Log3, easily adaptable to other cameras using a simple color space transform)

  • Film emulation powergrade - full node setup to build a film look from scratch inside DaVinci Resolve.

  • Real 16mm film assets, scanned from multiple different film stocks I shot.

These aren’t generic textures - they’re authentic film scans, featuring sprocket holes, light leaks, flashes, burns, grain overlays and cut transitions. A serious layer of texture to bring your edits to life.

  • My most used sound effects - professionally mixed and sound treated for the maximum most impactful effect.

  • Raw ungraded sample footage - taken from multiple different projects I have shot. Use it to test the LUTs, film overlays, grain and more.

  • My film grain settings - put my real 16mm film scans side by side and created a preset that replicates real 16mm film grain one to one. (for davinci users)

  • The DIN Playbook - real tips on workflow, lighting, color, shooting and approach.

  • The DIN Gearlist - short breakdown of the gear i use, from the monitor on my desk to the lenses i use on sets.

  • Bonus - buyers' favorite LUTs and film assets from PACK001 and PACK002 - included as an extra layer for those who missed the first and second drops.

Compatible with:

DaVinci Resolve, Premiere Pro, Final Cut Pro and any other editing softwares that support .cube files

LUT Instructions:

Davinci Resolve users – instruction video + powergrade attached in the folder.

Premiere Pro users – adjust exposure, contrast and white balance on the color page to liking.

These LUTs are built for results, not shortcuts.
Minor exposure and white balance adjustments may be needed to get the best result.
Made for those who actually care about the final look.

Film assets – drop directly to timeline, apply the same grade as the rest of the clips on the timeline, feel free to experiment with blending modes accordingly.

Buyers are invited into the closed DIN community - a private space to connect, share, and stay ahead (make sure to include your instagram @ in the required form).

For any questions – @dinperlis on instagram.